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・ Way of the World (Tina Turner song)
・ Way of Youth
・ Way Off Broadway Dinner Theatre
・ Way On Cemetery
・ Way Out
・ Way Out (film)
・ Way Out (Roxette song)
・ Way Out (The La's song)
・ Way Out (TV series)
・ Way Out Games
・ Way Out Here
・ Way Out Here (song)
・ Way Out of Here
・ Way Out West
・ Way Out West (1930 film)
Way Out West (1937 film)
・ Way Out West (festival)
・ Way Out West (group)
・ Way Out West (jazz group)
・ Way Out West (Mae West album)
・ Way Out West (Richard Davis album)
・ Way Out West (Sonny Rollins album)
・ Way Out West (The Dingoes song)
・ Way Out Where
・ Way Out Yonder
・ Way Out Yonder (Andy Irvine album)
・ Way Out Yonder (disambiguation)
・ Way Out!
・ Way Outback
・ Way Outward Bound


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Way Out West (1937 film) : ウィキペディア英語版
Way Out West (1937 film)

''Way Out West'' is a Laurel and Hardy comedy film released in 1937. It was directed by James W. Horne, produced by Stan Laurel and distributed by Metro-Goldwyn-Mayer. This was the second picture for which Stan Laurel was credited as producer (the first was 1936's ''Our Relations''); Laurel served in that capacity uncredited for the duo's entire career.
==Plot==
Stan and Oliver, after consorting with Seymore "Sy" Roberts, an old prospector, have been entrusted to deliver the deed to a gold mine the prospector discovered to the man's daughter, Mary Roberts (Rosina Lawrence), a poor girl living in Brushwood Gulch who is consistently victimized by her cruel guardians, saloon owner Mickey Finn (James Finlayson), and his equally-cruel saloon-singer wife, Lola Marcel (Sharon Lynn).
Traveling by stage coach, they attempt to flirt with the woman (Vivien Oakland) who is riding with them. She rebuffs the pair, and upon arriving in Brushwood Gulch, she complains to her husband, the town's sheriff (Stanley Fields). The angry sheriff orders the pair to leave on the next coach out of town, or else they'll be "riding out of here in a hearse". Stan and Ollie promise to do so once they have completed their mission.
After dancing to J. Leubrie Hill's "At the Ball, That's All" performed by The Avalon Boys, Stanley and Ollie arrive at Mickey Finn's saloon. When Mickey Finn learns why they're here, he has Lola play Mary in order to hijack the deed from them. Stan and Ollie have never seen Mary before, and are duped by their charade. However, before leaving town, they encounter the real Mary Roberts and immediately try to get the deed back. The evil Finns will not surrender the deed, however, and a major struggle ensues as Stan and Ollie attempt to reclaim the deed. Stan manages to grab it, but Lola traps him in the bedroom and wrests the deed from him by tickling him into hysterics. After further chasing, Mickey and Lola manage to seal the deed into their safe. Ollie calls for the police, but the police turn out to be the angry sheriff, who chases Stan and Ollie out of town.
Outside the town, Stanley and Ollie plan to sneak back into Brushwood Gulch at night to reclaim the deed. They arrive at the saloon and, after a series of mishaps (including Laurel stretching Hardy's neck an incredible 3 feet while freeing him from a trapdoor in which his head was stuck), manage to make it inside. They are met by Mary, who helps them open the safe, grab the deed and escape before Mickey Finn can intervene, managing to get him entangled in the grill in the front door. Outside the town again, and accompanied by Mary, the happy trio sing "We're Going to See My Home in Dixie" as they head off into the sunset with Ollie yet again falling into the hole in the pond, as he did twice before in the film.
Unlike most of Laurel and Hardy's films and shorts, the story has a happy ending as opposed to the usual "unfortunate ending". (Running gag of Ollie falling into a sink hole in the stream notwithstanding.)

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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